Monthly Archives: Studeni 2015

Fyodor Dostoyevsky- White Nights and Other Stories

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For, after all, you do grow up, you do outgrow your ideals, which turn to dust and ashes, which are shattered into fragments; and if you have no other life, you just have to build one up out of these fragments. And all the time your soul is craving and longing for something else. And in vain does the dreamer rummage about in his old dreams, raking them over as though they were a heap of cinders, looking in these cinders for some spark, however tiny, to fan it into a flame so as to warm his chilled blood by it and revive in it all that he held so dear before, all that touched his heart, that made his blood course through his veins, that drew tears from his eyes, and that so splendidly deceived him!

Nota Bene

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Proza neuroza

Imala sam divno veče. I ne želim da se završi.

Klinka i ja smo išle na balet. Kupila sam bila karte jutros u 11, kad otvore prodaju za ‘rush’. U odnosu na prošlu godinu karte su 50% skuplje. Razumem da su ove produkcije zaista skupe, jesu, nesumnjivo, anahrono, neverovatno, ne da su skupe već da je svet koji stoji iza njih još uvek prisutan sa svojim kvalitetom koji se ne može falsifikovati. Trud, talenat, odricanje, ulaganje, posvećenost, drama… ništa od toga se ne vidi u svakodnevici. Ne znači da ih nema, ali nisu umetnost. Što znači da su na pogrešnoj obali. Pominjem kombinaciju iznenađenja i razočarenja o poskupljenju jeftinih karata koje nisu jeftine zato što je kultura kao elitna kategorija povremena misao koja me naljuti, a najviše razočara. Razumem da je u izvesnoj meri kultura jednaka kupovini elitnih artikla odeće ili slične robe – uživanje dolazi delom zbog pripadanja izabranom…

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Branko Miljković- Poeziju će svi pisati

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San je davna i zaboravljena istina
koju više niko ne ume da proveri
sada tuđina peva ko more i zabrinutost
istok je zapadno od zapada lažno kretanje je najbrže
sada pevaju mudrost i ptice moje zapuštene bolesti
cvet između pepela i mirisa
oni koji odbijaju da prežive ljubav
i ljubavnici koji vraćaju vreme unazad
vrt čije mirise zemlja ne prepoznaje
i zemlja koja ostaje verna smrti
jer svet ovaj suncu nije jedina briga
ali jednoga dana
tamo gde je bilo srce stajaće sunce
i neće biti u ljudskom govoru takvih reči
kojih će se pesma odreći
poeziju će svi pisati
istina će prisustvovati u svim rečima
na mestima gde je pesma najlepša
onaj koji je prvi zapevao povući će se
prepuštajući pesmu drugima
ja prihvatam veliku misao budućih poetika:
jedan nesrećan čovek ne može biti pesnik
ja primam na sebe osudu propevale gomile:
Ko ne ume da sluša pesmu slušaće oluju
ali:
Hoće li sloboda umeti da peva
kao što su sužnji pevali o njoj?

Alexandre Dumas- The Count of Monte Cristo

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There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of life.
” Live, then, and be happy, beloved children of my heart, and never forget, that until the day God will deign to reveal the future to man, all human wisdom is contained in these two words, ‘Wait and Hope.”

ja sada kao mogućnost oslobođenja? (ulomak iz: Marijan Cipra, Metamorfoze metafizike)

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ja sada kao mogućnost oslobođenja? (ulomak iz: Marijan Cipra, Metamorfoze metafizike)

nagovor na filosofiju

Individuum ergo est nunc. U riječi individuum krije se ovdje kao u šifri rješenje zagonetke vremenske sadašnjosti. Trenutak ”sada” jest individuum, ali ne samo u uskom smislu svoje nedjeljivosti, već ukoliko se shvati u najobuhvatnijem smislu tog pojma, gdje on označava jednako tako to atomon kao i nedjeljivost duševno-duhovnog ja. Paradoks trenutka ”sada” moguće je razriješiti samo onda, ukoliko iza zagonetnog bića ovog ”sada” uočimo atomičko, individualno bivstvovanje jastva. Trenutak ”sada” u najužoj je svezi s pojmovima atoma, duše, individualnoga ja. Očigledno je da je s time onda dalje u vezi besmrtnost nerazdjeljive individualne duše, kao i nužno jastveni individualni karakter boga kao vječnog i nužnog bića. Štoviše, trenutak ”sada”, istinski atomon, individualno ja čovjekovo i božansko ja – to je najneočekivaniji rezultat upravo ove analize paradoksa vremena – jesu jedno te isto. Jer po principu identitas indiscernibilium – dva ili više entiteta koji se…

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Charles Dickens- A Tale of Two Cities

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A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life’s end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?

Thomas Mann- The Magic Mountain

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Isn’t it grand, isn’t it good, that language has only one word for everything we associate with love – from utter sanctity to the most fleshly lust? The result is perfect clarity in ambiguity, for love cannot be disembodied even in its most sanctified forms, nor is it without sanctity even at its most fleshly. Love is always simply itself, both as a subtle affirmation of life and as the highest passion; love is our sympathy with organic life.

Thomas Mann- The Magic Mountain

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A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries. He may regard the general, impersonal foundations of his existence as definitely settled and taken for granted, and be as far from assuming a critical attitude towards them as our good Hans Castorp really was; yet it is quite conceivable that he may none the less be vaguely conscious of the deficiencies of his epoch and find them prejudicial to his own moral well-being. All sorts of personal aims, hopes, ends, prospects, hover before the eyes of the individual, and out of these he derives the impulse to ambition and achievement. Now, if the life about him, if his own time seems, however outwardly stimulating, to be at bottom empty of such food for his aspirations; if he privately recognises it to be hopeless, viewless, helpless, opposing only a hollow silence to all the questions man puts, consciously or unconsciously, yet somehow puts, as to the final, absolute, and abstract meaning in all his efforts and activities; then, in such a case, a certain laming of the personality is bound to occur, the more inevitably the more upright the character in question; a sort of palsy, as it were, which may extend from his spiritual and moral over into his physical and organic part. In an age that affords no satisfying answer to the eternal question of ‘Why?’ ‘To what end?’ a man who is capable of achievement over and above the expected modicum must be equipped either with a moral remoteness and single-mindedness which is rare indeed and of heroic mould, or else with an exceptionally robust vitality. Hans Castorp had neither one nor the other of these; and thus he must be considered mediocre, though in an entirely honourable sense.

Thomas Mann- Death in Venice and Other Tales

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Nothing is more curious and awkward than the relationship of two people who only know each other with their eyes — who meet and observe each other daily, even hourly and who keep up the impression of disinterest either because of morals or because of a mental abnormality. Between them there is listlessness and pent-up curiosity, the hysteria of an unsatisfied, unnaturally suppressed need for communion and also a kind of tense respect. Because man loves and honors man as long as he is not able to judge him, and desire is a product of lacking knowledge.